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Guest - John Klawitter

Good morning everyone! I hope you're ready for a very interesting article from our guest today. Here's a bit from his bio (you can see all of it below): John Klawitter has worked as a writer, producer and director. Based in Hollywood, he’s worked for major studios, indy companies and run his own production company. He’s written and produced for CBS, NBC, Disney, The Disney Channel, Paramount, Universal, Atlantis Productions, and many others. Today he'll be explaining some of the nuances of adapting our work to the screen and he's offering a contest so check below for the details.

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THE ADVANTAGES OF ADAPTING IT YOURSELF
By John Klawitter

You—as a storyteller who tends to write in the various popular genre formats—you understand that format is important, but your story idea is everything. And, as an author, you are understandably nervous about allowing someone else to adapt your work—no matter if it is a short story, novella or novel—into a video script or a screenplay.

You are not alone in this. Hollywood has gained a villainous reputation; the testosterone-driven Geniuses of Tinseltown have a history of taking successful novels and putting their own ‘interpretation’ or ‘spin’ on them. I need only mention the various failed reincarnations of Jules Verne’s Journey To The Center of the Earth…or for those of you who follow this sort of thing, consider the ‘interpretation’ director John Irvin & writer Lawrence D. Cohen made of Peter Straub’s wonderful novel Ghost Story. Even closer to home (I worked on it) the mish-mash Disney’s Ron Miller and Tom Leetch made of Florence Engel Randall’s classic The Watcher in the Woods.

Soooo...is there anything you should be doing to protect your work? Once you option your book to a producer or an indy production company, the rest of the process will almost surely be taken out of your hands. Most producers aren’t interested in ‘the novelist as a screenwriter.’ Be irate, but don’t take it personally. It’s a culture thing, a bit inbred, and doesn’t have anything to do with your literary talent. None-the-less, as the writer of your own published novel to which you own all the rights, what do you care what they think?

If you’re going to consider adapting your work yourself, you’ll want to do it before you sell the option. Once you decide you’re going to do this, it’s not as difficult as it may seem. Writing a screenplay from scratch generally takes three to six months. Adapting your own novel to a screenplay may take you as little as four to six weeks.

I personally enjoy the process of interpreting my own work in another medium. And, I’ve seen so many examples of films gone wrong that I’m somewhat paranoid about who is going to be tinkering with my baby. That’s one good reason why I tend to adapt my own stories to screenplays, many before they are published. Sometimes I see my own story on another level and feel driven to go back in and rework the novel itself. But the primary benefit to me personally as the writer is that I’m able keep my creative presence felt, usually through 1st Draft Screenplay.

You’ll notice I’m not talking about monetary compensation. Yes, your agent can demand a slightly higher price for an option if you present a screenplay adaptation as well as your novel. But that’s short term thinking. You have your career to consider, and so you might look on your screenplay adaptation as a little insurance—not a guarantee—but an element in the right direction to help the movie made from your very own novel—help it turn into box office gold rather than a rotten tomato (www.rottentomatoes.com)


SHAMELESS SELF-PROMOTION:
Those of you feeling you may be alone in a world uniquely unsuited to creative types such as yourself may be interested in my survival manual: TINSEL WILDERNESS, Lessons on Survival as a Creative Person in Hollywood & Other Extreme Climates.

These are hard lessons culled from 40 years of chasing the muse. It is available as a downloadable ebook, trade paperback and/or audio book from the following link: http://double-dragon-ebooks.com/single.php?ISBN=1-55404-487-1&picsize=LARGE&x=87&y=61 I personally recommend the audio book, if you can afford it, as it contains jingles, show openings and other audio moments to illustrate the lessons, which directly translate into instructions on your own survival as a creative person in a world that doesn’t really care too much, one way or the other, whether that unique essence that makes up you, yourself, the person, lives and thrives or dies.


OFFER:
You are not alone. I will read any short story, novella or novel (published or unpublished) and provide any or all of the following:
A) Coverage: $150
B) Summary: $150
C) Analysis of Adaptability: $150
D) Opinion as to Marketability as a motion picture project: FREE with any or all of the above.

Send a copy of your work as a PDF or Word Document (Rich Text) Use PayPal or send check or money order. All work completed within 30 days upon receiving payment and manuscript.


CONTEST:
Submit to me via email ( john.klaw@sbcglobal.net ) a log line pitching your novel. AND a short paragraph explaining why it will make a successful motion picture.

I will select one of these entries and will provide in a timely manner (before the end of January 2009) FREE coverage, a FREE summary, a FREE Analysis of Adaptability, and a FREE Opinion as to Marketability of the winning entry.

The winning entry will not be selected on the basis of literary genius or writing skills (although these won’t hurt your cause), but solely on John Klawitter’s discretionary and personal opinion, based on his years of experience in Show Biz, of the filmic potential of said entry.

BIO:
John Klawitter has worked as a writer, producer and director. Based in Hollywood, he’s worked for major studios, indy companies and run his own production company. He’s written and produced for CBS, NBC, Disney, The Disney Channel, Paramount, Universal, Atlantis Productions, and many others. He’s also worked on animation projects for Disney, Warner Bros. Animation, Hanna-Barbera, Phil Mendez Productions, Zoiyu Productions (Japan), Pink Planet Productions (Holland) and Franke Films (Finland). He has directed short films featuring a wide range of stars and personalities, including Bill Cosby, Ali MacGraw, Jane Alexander, Jacqueline Bisset, Ray Bradbury, George Plimpton, Leslie Nielsen, and many others.

His film credits include the political documentary Scene: Politic (EMMY AWARD); the Television Specials The Great American Dreammobile, Le Mans & The Man McQueen, Disco Mickey Mouse, The Adventures of Sports Goofy, and Here comes Sam (The Olympic Eagle).

He has adapted several novels to screenplay format, most notably HOBBERDY DICK by K.M. Briggs (for Zoiyu Productions, Tokyo), STYX by Christopher Hyde (optioned by Atlantis, developed for Fox), MONSTER TALES by Phil Mendez (for Zoiyu Productions).

He has adapted his own novels CRAZYHEAD, DEVILS, and THE HEART OF DESIRE to screenplays, as well as HEADSLAP, his highly praised biography of legendary NFL player Deacon Jones.

More about John
http://double-dragon-ebooks.com/eAuthor.php?Name=John%20Klawitter

http://looney.goldenagecartoons.com/tv/bbrr/bbrrinterv.html


CONTACT INFORMATION:

e-publisher: Double Dragon Publishing
http://double-dragon-ebooks.com/eAuthor.php?Name=John%20Klawitter

Audio book publisher: Audible Books
http://www.audible.com/adbl/site/enSearch/searchResults.jsp?BV_UseBVCookie=Yes&Ntk=S_Author&Ntt=John+Klawitter&Ntx=mode%2bmatchallpartial&x=9&y=8&D=John+Klawitter&N=0&Dx=mode%2bmatchallpartial

Distribution: Amazon
www.amazon.com (search ‘John Klawitter’)

email: John Klawitter
john.klaw@sbcglobal.net

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